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Harmony_H_Dd !S 5"%Partn6d##100$*----------------------------------------- %3Akkorde fr ZwischenSchluss (Track 2 velocity=100) #!Y[5&%Degree 6'%C%(Harmony_C_Zwischen_Schluss!^`6)%D&*Harmony_D_Zwischen_Schluss!ce6+%E',Harmony_E_Zwischen_Schluss!hj~6-%F(.Harmony_F_Zwischen_Schluss!mo}6/%G)0Harmony_G_Zwischen_Schluss!rt|61%A*2Harmony_A_Zwischen_Schluss!wy{63%H+4Harmony_H_Zwischen_Schluss !55%Partn66#1277*----------------------------------------- 8+Akkorde fr Schluss (Track 2 velocity=127) t!59%Degree 6:%C;Harmony_C_Schlusss!6<%D=Harmony_D_Schlusss!6>%E?Harmony_E_Schlusss!6@%FAHarmony_F_Schlusss!6B%G CHarmony_G_Schlusss!6D%A!EHarmony_A_Schlusss!6F%H"GHarmony_H_Schlusss !5H%Partn6@I#64rJ*----------------------------------------- K(Akkorde fr intro (Track 2 velocity=64) !5L%Degree 6M%CNHarmony_C_Intror!6O%DPHarmony_D_Intror!6Q%ERHarmony_E_Intror!6S%FTHarmony_F_Intror!6U%GVHarmony_G_Intror!6W%AXHarmony_A_Intror!6Y%HZHarmony_H_Intror [*----------------------------------------- \,Akkorde fr Mittelteil (Track 2 velocity=0) !5]%Degree 6^%C_ Harmony_C!6`%Da Harmony_D!6b%Ec Harmony_E!6d%Fe Harmony_F! 6f%Gg Harmony_G! 6h%Ai Harmony_A!6j%Hk Harmony_H !$&* lHarmony_Length_FreeemHarmony_Note_Lengthe.,nHarmony_Source_Track @o#64m"&p Gegenbewegunge3q#03r#02s .,t#15 u%NotebN!?AK6 v %Merke_Noten@w#64r!DFI; x %Merke_Noteny#127z#1 @{#6473 |%Notee"&}Sopran.,~#3,#1"&Altr.,#30Alt_Scale_Type Alt_Scale_Step,iAlt_Rhythm_Source_Track("&Tenorh.,#30 Tenor_Scale_Type Tenor_Scale_Step,jTenor_Rhythm_Source_Trackr"&Bass Bass_Val1t#Bass_Octave_Maxu$Bass_Octave_Minu> vorwrts s############################################### 3#0.,#3,#45 %GegenbewegungB!5 %Gegenbewegung6#11Bass_3_Scale_Step_Up!6#1272Bass_3_Scale_Step_Down3Bass_3_Scale_Step_Same ,#2.5%Part3B!5%Part36n#110*----------------------------------------- 3Akkorde fr Doppeldominante (Track 2 velocity=100) #`Bass_3_Scale_Type_Dd!5%Part36d#100*----------------------------------------- 3Akkorde fr ZwischenSchluss (Track 2 velocity=100) #4!Bass_3_Scale_Type_Zwischenschlussk!5%Part36#127*----------------------------------------- +Akkorde fr Schluss (Track 2 velocity=127) t5Bass_3_Scale_Type_Schlussk!5%Part36@#64r*----------------------------------------- (Akkorde fr intro (Track 2 velocity=64) 6Bass_3_Scale_Type_Introk!5%Part36#0*----------------------------------------- ,Akkorde fr Mittelteil (Track 2 velocity=0) 7Bass_3_Scale_Type_Mittelteil ,BBass_Source_Track_Velocity,ABass_Rhythm_Source_TrackE Bass_Staccatoo"&Bass1S3#03#03#03#13#03r Harmony_Tracko3#0, Bass_3_Val1cSBass_1_Octave_MaxeTBass_1_Octave_MineSFBack_Left_Note_Minimum2 !I> rckwrts s############################################### 5 %N7#1 %Length_Back.,#3#---------------------------------- #! 5 %Gegenbewegung6#1<Bass_Scale_Step_Back_Up-! 6#127=Bass_Scale_Step_Back_Down->Bass_Scale_Step_Back_Same- #---------------------------------- #,#2.5%Part-B!,{5%Part-6n#110*----------------------------------------- 3Akkorde fr Doppeldominante (Track 2 velocity=110) #!$'),%Harmonie_Trackp1#1^Bass_Scale_Type_Back_Dd_Akk _Bass_Scale_Type_Back_Dd_Dia !0=z5%PartS6d#100*----------------------------------------- 3Akkorde fr ZwischenSchluss (Track 2 velocity=100) #!69;,%Harmonie_Tracks1#1eBass_Scale_Type_Back_Zs_Akk fBass_Scale_Type_Back_Zs_Dia !ASy5%PartS6#127*----------------------------------------- +Akkorde fr Schluss (Track 2 velocity=127) t!GJL,%Harmonie_Trackl1#1c Bass_Scale_Type_Back_Schluss_Akkd Bass_Scale_Type_Back_Schluss_Dia !OQR o%True_Bass_Scale_Type_Back_Schluss_Dia=gBass_Scale_Step_Schlussc !Wdx5%PartS6@#64r*----------------------------------------- (Akkorde fr intro (Track 2 velocity=64) !]`b,%Harmonie_Trackr1#1aBass_Scale_Type_Back_Intro_AkkbBass_Scale_Type_Back_Intro_Dia !iuw5%PartS6#0*----------------------------------------- ,Akkorde fr Mittelteil (Track 2 velocity=0) !oqs,%Harmonie_Trackt1#1\#Bass_Scale_Type_Back_Mittelteil_Akko]#Bass_Scale_Type_Back_Mittelteil_Diao  ,#1!5 %Kontrapunkt6#13#0! nTrue_Bass_Scale_FreekBass_Scale_Step_Fifty_Fiftyt !,#31#13#13#0 8--------------------------------- #0!5  %N:D Bass_Back_Anzahl! h Bass_Back_True_New_Nol3: Bass_Back_Nole !5 %Length_Back;sMin_Note_Length_Kontrapunkt-3#1 HJ > vorwrts s############################################### SFBack_Left_Note_Minimum3#03#1.,#15%VB,#45 %GegenbewegungB0! ;Bass_Create_Back?5%V;#03: Bass_Back_NolaHJ E Bass_Staccatoa "#9HarmonyGegenbewegungSopranAltTenorBassBass1aHarmonya Gegenbewegunga1SopranQAltrbTenornsBassBass1nU Harmony_Cg, ddd  Harmony_Dg ddd d Harmony_Eg, ddd Harmony_Fg| d  Harmony_Gg, ddd Harmony_Ag, ddd  Harmony_Hg ddHarmony_Note_Lengthmd0dAlt_Scale_Type2 2 Alt_Scale_Stepdd Tenor_Scale_Type2 2 Tenor_Scale_Stepdd Bass_Val1ld4dHarmony_Source_Trackd dHarmony_Length_FreekddHarmony_C_IntroF2 2Harmony_D_IntroF2 2Harmony_E_IntroF2 2Harmony_F_IntroF2 2Harmony_G_IntroF2 2Harmony_A_IntroF2 2Harmony_H_IntroF2 2Harmony_C_Schlusse2 2Harmony_D_Schlussed  d Harmony_E_SchlusseW WHarmony_F_Schlussed d Harmony_G_Schlusse2 2!Harmony_A_Schlussed d"Harmony_H_Schlusse2 2#Bass_Octave_Maxsdd$Bass_Octave_Mins22%Harmony_C_Zwischen_Schlussd d&Harmony_D_Zwischen_Schlussd d'Harmony_E_Zwischen_Schlussd d(Harmony_F_Zwischen_Schlussd d)Harmony_G_Zwischen_Schluss, ddd*Harmony_A_Zwischen_Schluss, dd d+Harmony_H_Zwischen_Schluss d, Bass_3_Val1wd0d1Bass_3_Scale_Step_Up222Bass_3_Scale_Step_Down223Bass_3_Scale_Step_Samedd4!Bass_3_Scale_Type_Zwischenschluss# dd5Bass_3_Scale_Type_Schlussnd d6Bass_3_Scale_Type_Introsd d7Bass_3_Scale_Type_Mittelteil dd: Bass_Back_NolT d;Bass_Create_Backdd<Bass_Scale_Step_Back_Upldd=Bass_Scale_Step_Back_Downedd>Bass_Scale_Step_Back_SameeddABass_Rhythm_Source_Trackd  dBBass_Source_Track_Velocityd dDBass_Back_AnzahldAdE Bass_StaccatoaddFBack_Left_Note_Minimum,dddSBass_1_Octave_Maxn22TBass_1_Octave_Minn22U Harmony_C_Dd2  2V Harmony_D_Dd2  2W Harmony_E_Dd2  2X Harmony_F_Dd2  2Y Harmony_G_Dd2 2Z Harmony_A_Dd2  2[ Harmony_H_Dd2 2\#Bass_Scale_Type_Back_Mittelteil_Akk#d d]#Bass_Scale_Type_Back_Mittelteil_Dia#o d ^Bass_Scale_Type_Back_Dd_Akkt2 2_Bass_Scale_Type_Back_Dd_Diat2 2`Bass_3_Scale_Type_Dd ddaBass_Scale_Type_Back_Intro_Akkd dbBass_Scale_Type_Back_Intro_Dia2 2c Bass_Scale_Type_Back_Schluss_Akkd dd Bass_Scale_Type_Back_Schluss_Diad deBass_Scale_Type_Back_Zs_Akks2 2fBass_Scale_Type_Back_Zs_Dias2 2gBass_Scale_Step_Schluss_ddhBass_Back_True_New_NolzdiAlt_Rhythm_Source_Track_d  djTenor_Rhythm_Source_Trackid  dkBass_Scale_Step_Fifty_FiftysddnTrue_Bass_Scale_Free22o%True_Bass_Scale_Type_Back_Schluss_Dia#22r Harmony_Trackl22sMin_Note_Length_Kontrapunktc2 2 Harmony_CHarmony_DHarmony_EHarmony_FHarmony_GHarmony_AHarmony_HHarmony_Note_LengthAlt_Scale_Type Alt_Scale_Step Tenor_Scale_Type Tenor_Scale_Step Bass_Scale_Type Bass_Scale_StepBass_Val1Bass_Melodisch_Val1Bass_Melodisch_Scale_TypeBass_Melodisch_Scale_StepHarmony_Source_TrackHarmony_Length_FreeGlobal_Rhythm_Source_TrackHarmony_C_IntroHarmony_D_IntroHarmony_E_IntroHarmony_F_IntroHarmony_G_IntroHarmony_A_IntroHarmony_H_IntroHarmony_C_SchlussHarmony_D_SchlussHarmony_E_SchlussHarmony_F_Schluss Harmony_G_Schluss!Harmony_A_Schluss"Harmony_H_Schluss#Bass_Octave_Max$Bass_Octave_Min%Harmony_C_Zwischen_Schluss&Harmony_D_Zwischen_Schluss'Harmony_E_Zwischen_Schluss(Harmony_F_Zwischen_Schluss)Harmony_G_Zwischen_Schluss*Harmony_A_Zwischen_Schluss+Harmony_H_Zwischen_Schluss,Bass_3_Val1-Bass_3_Scale_Type.Bass_3_Scale_Step/Bass_3_Octave_Max0Bass_3_Octave_Min1Bass_3_Scale_Step_Up2Bass_3_Scale_Step_Down3Bass_3_Scale_Step_Same4Bass_3_Scale_Type_Zwischenschluss5Bass_3_Scale_Type_Schluss6Bass_3_Scale_Type_Intro7Bass_3_Scale_Type_Mittelteil8Bass_Scale_Step_Back9Bass_Scale_Type_Back:Bass_Back_Nol;Bass_Create_Back<Bass_Scale_Step_Back_Up=Bass_Scale_Step_Back_Down>Bass_Scale_Step_Back_Same?Bass_Nol@Bass_VelABass_Rhythm_Source_TrackBBass_Source_Track_VelocityCBass_Create_Back_AgainDBass_Back_AnzahlEBass_StaccatoFBack_Left_Note_MinimumGBass_3_Scale_Type_Z_SchlussHBass_Scale_Type_Back_ZwischenschlussIBass_Scale_Type_Back_SchlussJBass_Scale_Type_Back_IntroKBass_Scale_Type_Back_MittelteilLTrue_Bass_Fixed_ScaleMBass_Scale_Type_Back_AkkNBass_Scale_Type_Back_DiaOBass_3_Scale_Type_Back_MittelteilPBass_Metrum_GegenbewegungQBass_Val1_MaxRBass_Val1_MinSBass_1_Octave_MaxTBass_1_Octave_MinUHarmony_C_DdVHarmony_D_DdWHarmony_E_DdXHarmony_F_DdYHarmony_G_DdZHarmony_A_Dd[Harmony_H_Dd\Bass_Scale_Type_Back_Mittelteil_Akk]Bass_Scale_Type_Back_Mittelteil_Dia^Bass_Scale_Type_Back_Dd_Akk_Bass_Scale_Type_Back_Dd_Dia`Bass_3_Scale_Type_DdaBass_Scale_Type_Back_Intro_AkkbBass_Scale_Type_Back_Intro_DiacBass_Scale_Type_Back_Schluss_AkkdBass_Scale_Type_Back_Schluss_DiaeBass_Scale_Type_Back_Zs_AkkfBass_Scale_Type_Back_Zs_DiagBass_Scale_Step_SchlusshBass_Back_True_New_NoliAlt_Rhythm_Source_TrackjTenor_Rhythm_Source_TrackkBass_Scale_Step_Fifty_FiftylBmReset_BnTrue_Bass_Scale_FreeoTrue_Bass_Scale_Type_Back_Schluss_DiapBass_Terz_Scale_TypeqBass_Terz_Scale_SteprHarmony_TracksMin_Note_Length_Kontrapunktstyle2%Part%Degree%C%D%E%F%G%A%H %Merke_Note %Note %N %B %Gegenbewegung%Kontrapunkt%V%Harmonie_Track%Dummy%Length_BackB%Part2%Degreee%C%D%E%F%G%A%H %Merke_Noten%Notee%N%B%Gegenbewegung %Kontrapunkt%V%Harmonie_Track_%Dummy %Length_Back  W,@78EHMMM?############################################################## &Harmony#3#03#03#03#03#13#23#33 #43 #53 #63 #03 #03#13#0d#100 #02 3#0,#2.5%PartnB,#1.5%Degree#=PNew_Try#!',85%Partr6 #10r*----------------------------------------- $Freie Akkorde (Track 2 velocity=10)   Harmony_Free!1d75%Partn6n#110 *----------------------------------------- !2Akkorde fr Doppeldominate (Track 2 velocity=110) !79_5"%Degree 6#%CU$ Harmony_C_Dd!<>^6%%DV& Harmony_D_Dd!AC]6'%EW( Harmony_E_Dd!FH\6)%FX* Harmony_F_Dd!KM[6+%GY, Harmony_G_Dd!PRZ6-%AZ. Harmony_A_Dd!UWY6 /%H[0 Harmony_H_Dd !h651%Partn6d2#1003*----------------------------------------- 43Akkorde fr ZwischenSchluss (Track 2 velocity=100) #!np55%Degree 66%C%7Harmony_C_Zwischen_Schluss!su68%D&9Harmony_D_Zwischen_Schluss!xz6:%E';Harmony_E_Zwischen_Schluss!}6<%F(=Harmony_F_Zwischen_Schluss!6>%G)?Harmony_G_Zwischen_Schluss!6@%A*AHarmony_A_Zwischen_Schluss!6 B%H+CHarmony_H_Zwischen_Schluss !55D%Partn6E#127F*----------------------------------------- G+Akkorde fr Schluss (Track 2 velocity=127) t!5H%Degree 6I%CJHarmony_C_Schlusss!6K%DLHarmony_D_Schlusss!6M%ENHarmony_E_Schlusss!6O%FPHarmony_F_Schlusss!6Q%G RHarmony_G_Schlusss!6S%A!THarmony_A_Schlusss!6 U%H"VHarmony_H_Schlusss !45W%Partn6@X#64rY*----------------------------------------- Z(Akkorde fr intro (Track 2 velocity=64) !5[%Degree 6\%C]Harmony_C_Intror!6^%D_Harmony_D_Intror!6`%EaHarmony_E_Intror!6b%FcHarmony_F_Intror!6d%GeHarmony_G_Intror!6f%AgHarmony_A_Intror!6 h%HiHarmony_H_Intror j*----------------------------------------- k,Akkorde fr Mittelteil (Track 2 velocity=0) !  35l%Degree 6m%Cn Harmony_C!26o%Dp Harmony_D!16q%Er Harmony_E!06s%Ft Harmony_F!!/6u%Gv Harmony_G!$&.6w%Ax Harmony_A!)+-6 y%Hz Harmony_H )c{ Grundstellungi!@BN5|%Try7}#16-~Max_TryeQPEnd_Trye!IKM5 %Quintee6 %Truet?5 %Merke_Quintei6 %TrueeQ#New_TryQQPEnd_TryQ PEnd_TryQ3 %QuinteQ%Try!WY] Harmony_Length_FreeeHarmony_Note_Lengthe.,Harmony_Source_Track "*------------------------------------------' Grundstellung-*------------------------------------------3 %False5%Degree-=5%HarmonyC!uw5%Harmony6%C?5%Degreey6%G3 %Truee!5%Harmony6%D?5%Degreey6%A3 %Truee!5%Harmony6%E?5%Degreey6 %H3 %Truee!5%Harmony6%F?5%Degreey6%C3 %Truee!5%Harmony6%G?5%Degreey6%D3 %Truee!5%Harmony6%A?5%Degreey6%E3 %Truee!5%Harmony6 %H?5%Degreey6%F3 %Truee3Oktavparallelen----------------------------------- #!5%Harmony6%Degreey3 %Truee (*------------------------------------------?############################################################## &Quinte,#3."?############################################################## & Gegenbewegung#3#03#02 .,#15%NotebN!6 %Merke_Noten@#64r!; %Merke_Noten#127#1 @#6473%Notee"?############################################################## &Sopran.,#3,#1"?############################################################## &Alt#.,#30Alt_Scale_Type Alt_Scale_Step,iAlt_Rhythm_Source_Track#"?############################################################## &Tenor#.,#30 Tenor_Scale_Type Tenor_Scale_Step,jTenor_Rhythm_Source_Track#"?############################################################## &Bass Bass_Val1##Bass_Octave_Max#$Bass_Octave_Min#2 > vorwrts s############################################### 3#0.,#3,#65%GegenbewegungB!CEM5%Gegenbewegung6#11Bass_3_Scale_Step_Up!HJL6#1272Bass_3_Scale_Step_Down3Bass_3_Scale_Step_Same ,#2.5%Part3B!X\5%Part36n#110*----------------------------------------- 3Akkorde fr Doppeldominante (Track 2 velocity=100) #`Bass_3_Scale_Type_Dd!af5%Part36d#100*----------------------------------------- 3Akkorde fr ZwischenSchluss (Track 2 velocity=100) #4!Bass_3_Scale_Type_Zwischenschlussk!jo5%Part36#127*----------------------------------------- +Akkorde fr Schluss (Track 2 velocity=127) t5Bass_3_Scale_Type_Schlussk!sx5%Part36@#64r*----------------------------------------- (Akkorde fr intro (Track 2 velocity=64) 6Bass_3_Scale_Type_Introk!}5%Part36#0*----------------------------------------- ,Akkorde fr Mittelteil (Track 2 velocity=0) 7Bass_3_Scale_Type_Mittelteil  SCALE_TYPE Bass_Scale_Type SCALE_STEP Bass_Scale_Step,B Bass_Source_Track_Velocity,A Bass_Rhythm_Source_TrackE Bass_Staccatoo" ?##############################################################  ?############################################################## &Bass1#3#03#03#03#13#03r Harmony_Track#3#0, Bass_3_Val1cSBass_1_Octave_Max#TBass_1_Octave_Min#SFBack_Left_Note_Minimum2 !I> rckwrts s############################################### 5%N7#1 %Length_Back.,#3  SOURCE_TRACK #6! GET_VELOCITY_FROM_TRACK" VAR_DEF %GegenbewegungK#" LOAD_VARIABLE_WITH_VELOCITY$#---------------------------------- #!5%%Gegenbewegung6&#1<'Bass_Scale_Step_Back_Up-3(#127!6)#127=*Bass_Scale_Step_Back_Down-3+#20s3P,#80s>-Bass_Scale_Step_Back_Same- .#---------------------------------- #!@5/ %Length_Back60#6.1 Scale_16telk,2#2.53%Part_B!?54%Part_6n5#1106*----------------------------------------- 73Akkorde fr Doppeldominante (Track 2 velocity=110) #!,8%Harmonie_Trackp19#1^:Bass_Scale_Type_Back_Dd_Akk _;Bass_Scale_Type_Back_Dd_Dia !>5<%PartS6d=#100>*----------------------------------------- ?3Akkorde fr ZwischenSchluss (Track 2 velocity=100) #!,@%Harmonie_Tracks1A#1eBBass_Scale_Type_Back_Zs_Akk fCBass_Scale_Type_Back_Zs_Dia !=5D%PartS6E#127F*----------------------------------------- G+Akkorde fr Schluss (Track 2 velocity=127) t! ,H%Harmonie_Trackl1I#1cJ Bass_Scale_Type_Back_Schluss_AkkdK Bass_Scale_Type_Back_Schluss_Dia ! oL%True_Bass_Scale_Type_Back_Schluss_Dia=gMBass_Scale_Step_Schlussc !(<5N%PartS6@O#64rP*----------------------------------------- Q(Akkorde fr intro (Track 2 velocity=64) !!$&,R%Harmonie_Trackr1S#1aTBass_Scale_Type_Back_Intro_AkkbUBass_Scale_Type_Back_Intro_Dia !-9;5V%PartS6W#0X*----------------------------------------- Y,Akkorde fr Mittelteil (Track 2 velocity=0) !357,Z%Harmonie_Trackt1[#1\\#Bass_Scale_Type_Back_Mittelteil_Akko]]#Bass_Scale_Type_Back_Mittelteil_Diao  ,^#65_%GegenbewegungB!HJN `Controlea%X,b#1 !SV_5c %Kontrapunkt6d#13e#0!Y[] nfTrue_Bass_Scale_FreekgBass_Scale_Step_Fifty_Fiftyt !ceg,h#31i#13j#13k#0 l#0m8--------------------------------- !t5n%N:DoBass_Back_Anzahl!w hpBass_Back_True_New_Nol!z|q#24s3:r Bass_Back_Nole! s#12s3tBass_Back_Nol_Achtel3uBass_Back_No_16tel  !5v %Length_Back;swMin_Note_Length_Kontrapunkt-3x#1 HJ y> vorwrts s############################################### SFzBack_Left_Note_Minimum3{#03|#1.,}#15~%VB,#65%GegenbewegungB0,#3! ;Bass_Create_Back?5%V;#03: Bass_Back_NolaHJ E Bass_Staccatoa "?############################################################## &Copy_Upper_Track.0"# SHarmonyQuinteGegenbewegungSopranAltTenorBassBass1Copy_Upper_TrackbHarmonypQuinte GegenbewegungaSopranAltr TenornBass/Bass1nCopy_Upper_Track[ Harmony_Cr, ddd Harmony_Dr, ddd Harmony_Er, ddd Harmony_Fr, ddd Harmony_Gr, ddd Harmony_Ar, ddd Harmony_Hr ddHarmony_Note_Length#d0dAlt_Scale_Type2 2 Alt_Scale_Stepdd Tenor_Scale_Type2 2 Tenor_Scale_Stepdd Controlcdd Harmony_Free ddddddd Bass_Val1rd/dBass_Back_Nol_AchtelT IHarmony_Source_Trackd dHarmony_Length_FreekddBass_Back_No_16telddHarmony_C_Introt2 2Harmony_D_Introt ddHarmony_E_Introt2 2Harmony_F_Introt2 2Harmony_G_Introt ddHarmony_A_Introt2 2Harmony_H_Introt2 2Harmony_C_Schlussl2 2Harmony_D_Schlussld  d Harmony_E_SchlusslW WHarmony_F_Schlussld d Harmony_G_Schlussl2 2!Harmony_A_Schlussld d"Harmony_H_Schlussl2 2#Bass_Octave_Maxsdd$Bass_Octave_Mins22%Harmony_C_Zwischen_Schlussd d&Harmony_D_Zwischen_Schlussd d'Harmony_E_Zwischen_Schlussd d(Harmony_F_Zwischen_Schlussd d)Harmony_G_Zwischen_Schluss, ddd*Harmony_A_Zwischen_Schluss, dd d+Harmony_H_Zwischen_Schluss d, Bass_3_Val1wd0d-Max_TryVd d. Scale_16telwd d1Bass_3_Scale_Step_Up222Bass_3_Scale_Step_Down223Bass_3_Scale_Step_Samedd4!Bass_3_Scale_Type_Zwischenschluss#d d5Bass_3_Scale_Type_Schlussnd d6Bass_3_Scale_Type_Introsd d7Bass_3_Scale_Type_Mittelteild d: Bass_Back_NolTL Z;Bass_Create_Backdd<Bass_Scale_Step_Back_Upldd=Bass_Scale_Step_Back_Downedd>Bass_Scale_Step_Back_SameeddABass_Rhythm_Source_Trackd  dBBass_Source_Track_Velocityd  dDBass_Back_AnzahldAdE Bass_StaccatoaddFBack_Left_Note_MinimumddSBass_1_Octave_Maxn22TBass_1_Octave_Minn22U Harmony_C_Dd2  2V Harmony_D_Dd2  2W Harmony_E_Dd2  2X Harmony_F_Dd2  2Y Harmony_G_Dd2 2Z Harmony_A_Dd2  2[ Harmony_H_Dd2 2\#Bass_Scale_Type_Back_Mittelteil_Akk# dd]#Bass_Scale_Type_Back_Mittelteil_Dia#j d^Bass_Scale_Type_Back_Dd_Akkt2 2_Bass_Scale_Type_Back_Dd_Diat2 2`Bass_3_Scale_Type_Ddd daBass_Scale_Type_Back_Intro_Akkd dbBass_Scale_Type_Back_Intro_Dian d c Bass_Scale_Type_Back_Schluss_Akkd dd Bass_Scale_Type_Back_Schluss_Diad deBass_Scale_Type_Back_Zs_Akks2 2fBass_Scale_Type_Back_Zs_Diask dgBass_Scale_Step_Schluss_ddhBass_Back_True_New_NolddiAlt_Rhythm_Source_Track_d djTenor_Rhythm_Source_Trackid dkBass_Scale_Step_Fifty_FiftysddnTrue_Bass_Scale_Freeydo%True_Bass_Scale_Type_Back_Schluss_Dia#22r Harmony_Trackl22sMin_Note_Length_Kontrapunktc22jHarmony_CHarmony_DHarmony_EHarmony_FHarmony_GHarmony_AHarmony_HHarmony_Note_LengthAlt_Scale_Type Alt_Scale_Step Tenor_Scale_Type Tenor_Scale_Step Control Harmony_FreeBass_Val1Bass_Back_Nol_ViertelBass_Back_MetrumBass_Back_Nol_AchtelHarmony_Source_TrackHarmony_Length_FreeBass_Back_No_16telHarmony_C_IntroHarmony_D_IntroHarmony_E_IntroHarmony_F_IntroHarmony_G_IntroHarmony_A_IntroHarmony_H_IntroHarmony_C_SchlussHarmony_D_SchlussHarmony_E_SchlussHarmony_F_Schluss Harmony_G_Schluss!Harmony_A_Schluss"Harmony_H_Schluss#Bass_Octave_Max$Bass_Octave_Min%Harmony_C_Zwischen_Schluss&Harmony_D_Zwischen_Schluss'Harmony_E_Zwischen_Schluss(Harmony_F_Zwischen_Schluss)Harmony_G_Zwischen_Schluss*Harmony_A_Zwischen_Schluss+Harmony_H_Zwischen_Schluss,Bass_3_Val1-Max_Try.Scale_16tel1Bass_3_Scale_Step_Up2Bass_3_Scale_Step_Down3Bass_3_Scale_Step_Same4Bass_3_Scale_Type_Zwischenschluss5Bass_3_Scale_Type_Schluss6Bass_3_Scale_Type_Intro7Bass_3_Scale_Type_Mittelteil:Bass_Back_Nol;Bass_Create_Back<Bass_Scale_Step_Back_Up=Bass_Scale_Step_Back_Down>Bass_Scale_Step_Back_SameABass_Rhythm_Source_TrackBBass_Source_Track_VelocityDBass_Back_AnzahlEBass_StaccatoFBack_Left_Note_MinimumSBass_1_Octave_MaxTBass_1_Octave_MinUHarmony_C_DdVHarmony_D_DdWHarmony_E_DdXHarmony_F_DdYHarmony_G_DdZHarmony_A_Dd[Harmony_H_Dd\Bass_Scale_Type_Back_Mittelteil_Akk]Bass_Scale_Type_Back_Mittelteil_Dia^Bass_Scale_Type_Back_Dd_Akk_Bass_Scale_Type_Back_Dd_Dia`Bass_3_Scale_Type_DdaBass_Scale_Type_Back_Intro_AkkbBass_Scale_Type_Back_Intro_DiacBass_Scale_Type_Back_Schluss_AkkdBass_Scale_Type_Back_Schluss_DiaeBass_Scale_Type_Back_Zs_AkkfBass_Scale_Type_Back_Zs_DiagBass_Scale_Step_SchlusshBass_Back_True_New_NoliAlt_Rhythm_Source_TrackjTenor_Rhythm_Source_TrackkBass_Scale_Step_Fifty_FiftynTrue_Bass_Scale_FreeoTrue_Bass_Scale_Type_Back_Schluss_DiarHarmony_TracksMin_Note_Length_Kontrapunkt #standardL%Part%Degree%Harmony%C%D%E%F%G%A %H %Merke_Quinte %Quinte %True %False%Try%Merke_Note%Note%N%B%Gegenbewegung%Kontrapunkt%V%Harmonie_Track%Dummy%X%Length_Back%Partd%Degreer%Harmony%C%D%E%F%G%A%H %Merke_Quintet%QuinteQ%Truet%False%Try %Merke_Notet%Notee%N%B%Gegenbewegung %Kontrapunkt%V%Harmonie_Track_%Dummy%X %Length_Back  "    !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~dF dddddddddddFddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddCtDmEmFmGmAmG7A7E->a H7 F56a D7 G4 D79a3G DiatonischDiatonisch abwrtsAkkordGrundtonGrundton+QuinterQuinte ` Type A All tracks nur Bsses Mittelstimmentharmonyt